MASTER of Saint Veronica

German Gothic Era Painter, active ca.1395-1420
GO HOME
GO HOME
GO HOME

  1
  Vorheriger Künstler       Nächster Künstler     

 

MASTER of Saint Veronica Triptych oil painting


Triptych
Triptychon
Gemälde ID::  32425
Siehe Galerie in Schweden
Triptych
Triptychon
1400-15 Tempera on wood, 58,9 x 39,5 cm
1400-15 Tempera auf Holz, 58.9 X 39.5 cm
1400-15 Tempera_on_wood,_58,9_x_39,5_cm
   
   
     

MASTER of Saint Veronica The Man of Sorrow with the Virgin and St Catherine oil painting


The Man of Sorrow with the Virgin and St Catherine
Gemälde ID::  51056
Siehe Galerie in Schweden
The Man of Sorrow with the Virgin and St Catherine
1400-20 Panel, 41 x 24 cm
1400-20_ Panel,_ 41_x_24_cm
   
   
     

MASTER of Saint Veronica St. Veronica with the Holy Kerchief oil painting


St. Veronica with the Holy Kerchief
Gemälde ID::  52052
Siehe Galerie in Schweden
St. Veronica with the Holy Kerchief
c. 1420 Tempera on oak, 78 x 48 cm
c._1420_ Tempera_on_oak,_ 78_x_48_cm
   
   
     

MASTER of Saint Veronica Triptych oil painting


Triptych
Gemälde ID::  63703
Siehe Galerie in Schweden
Triptych
1410 Panel, 70 x 16 cm (each wing) Heinz Kisters Collection, Kreuzlingen It is unusual for the decoration on the backs of the wings to play an important thematic role in the visual programme of a triptych like this, but it does so in this case. When the triptych is closed one is presented with a moving depiction of Christ carrying the Cross, painted on a layer of red which was usually the support for gold leaf. Here the central motif has been isolated from the theme of the Carrying the Cross, which was of crucial importance for Late Medieval devotion. Having been isolated from the narrative, the image of the cross-bearing Christ acquires a validity unconnected with time or place.Artist:MASTER of Saint Veronica Title: Triptych (closed) Painted in 1401-1450 , German - - painting : religious
1410_Panel,_70_x_16_cm_(each_wing)_Heinz_Kisters_Collection,_Kreuzlingen_It_is_unusual_for_the_decoration_on_the_backs_of_the_wings_to_play_an_important_thematic_role_in_the_visual_programme_of_a_triptych_like_this,_but_it_does_so_in_this_case._When_the_triptych_is_closed_one_is_presented_with_a_moving_depiction_of_Christ_carrying_the_Cross,_painted_on_a_layer_of_red_which_was_usually_the_support_for_gold_leaf._Here_the_central_motif_has_been_isolated_from_the_theme_of_the_Carrying_the_Cross,_which_was_of_crucial_importance_for_Late_Medieval_devotion._Having_been_isolated_from_the_narrative,_the_image_of_the_cross-bearing_Christ_acquires_a_validity_unconnected_with_time_or_place.Artist:MASTER_of_Saint_Veronica_Title:_Triptych_(closed)___Painted_in__1401-1450___,__German__-_-_painting__:_religious
   
   
     

  1
Vorheriger Künstler       Nächster Künstler     

     MASTER of Saint Veronica
     German Gothic Era Painter, active ca.1395-1420

Email:    intofineart@hotmail.com

IntoFineArt Co,.Ltd.